The Long Good Friday

 

I recently had a chance to rewatch one of the great cinematic love stories of our time, The Long Good Friday.  I saw this flick when I was a kid and it greatly helped in defining my expectations for what true love was the same way that Mad Max 2: The Road Warrior helped me realize my ideal profession: maniac.

 

The dynamic between Bob Hoskins and Helen Mirren in this film is one of support and understanding, as well as sacrifice.  Helen Mirren’s not physically my type, but she is pretty good looking in this film if that matters to you.  What does matter is how understanding she is of Bob Hoskins.  The two work together running a crime syndicate and they both understand that business comes before pleasure.  Hoskins has the vision and drive and Mirren keeps her eyes on the administrative details and public relations.

 

Helen Mirren plays the world’s best girlfriend in this film.  How many times has your wife come home and got angry because you’re lying there drunk on the sofa with some empty beer bottles on the floor?  Mirren comes home and finds Hoskins hysterical and covered in blood and the bloke he stabbed to death with a broken bottle laying on the den floor.  But she takes it in stride.  She doesn’t nag with the typical exclamation: “I just vacuumed!”

 

She also can deal with Hoskins cancelling on her.  She doesn’t throw some fit because he has to work late hanging motherfuckers on meat hooks and torturing them.  Mirren doesn’t even seem to take very long to get dressed for special occasions.  This is one strong lady.

 

And what’s worse than the restaurant losing your reservation?  How about it exploding as you drive up to it?  But Helen doesn’t flinch.

 

Bob is a pretty great guy, too.  He’s really intellectual.  Aside from his interests in stabbing people on his yacht, he’s also a history buff, amateur anthropologist, virtuoso economist, cunning political scientist, and connoisseur of whiskeys and torture.  He likes to share his knowledge in many frequent sessions of speechification inspired by knocking back bottles of whiskey.

 

He teaches people about history by firing shotguns at them and then elaborating on the great British tradition of blowing motherfuckers away.  He shows his knowledge of international relations by firing shotguns at some Irish gangsters and screaming that he runs London.  He also uses some sophisticated anthological terms for Irish people by calling them “pig-eyed micks”, but his eloquence doesn’t distance you from him.  You never feel like you’re in some University class. 

 

Bob gets really clever when he starts interweaving politics and economics.  Some Americans decide they don’t want to invest in his corrupt casino and he tells them that they just don’t appreciate British culture, which he says has contributed “more than a hotdog” to the world.  Bob knows all about fine cuisine.  At one point he serves up a buffet table of shotguns and lets his crew make a round and choose the one that fits their tastes.  So yeah, this guy is super-intellectual and you can see why he runs the biggest crime in London.

 

He also fancies himself royalty.  He constantly compares his actions and responsibilities to the monarch, and refers to Helen Mirren as The Queen (which is strange because Helen Mirren went on to play both Elizabeth I and II in other movies).

 

The couple in this film are having a bad day.  It seems that somebody is extracting revenge on Bob.  But he doesn’t know who!  It’s not often that you see a revenge movie from the perspective of the villain.  I mean Payback decided to focus on Mel Gibson wasting every motherfucker in sight instead of just showing Kris Kristofferson sitting around in his office wondering why his people weren’t calling him back.  Man On Fire wasn’t just Marc Anthony and Mickey Rourke sharing drinks and saying “Oh shit, oh shit, oh shit!” they stuck to Denzel blowing the shit out of motherfuckers.  Frankly, I wouldn’t think that the approach of showing the guy at the top of the crime syndicate getting taken down would work if I hadn’t seen this film.

 

As much as I’ve gone on about how great a lady Helen Mirren is in this movie, she has her faults.  It’s obvious she’s not the academic type like Bob, but she makes some administrative errors, too.  At one point a henchman drives Helen home from the meeting with the American investors.  The henchman offers to see her too her door but on the lift up to her flat he steps up close and says “I want to lick every inch of you.”  I’m not sure he thought this through, because if you tried to lick a lady’s scalp you’d just get all this hair on your tongue.

 

Helen never passes this on to Bob nor files a sexual harassment complaint.  I have to say I really admire the henchman.  Hitting on the boss’s lady.  That takes balls.  Maybe it doesn’t count as sexual harassment if it’s delivered as a statement.  There are always technicalities like that.  Maybe it has to be a question or a command to count as harassment.  I’m a finance guy.  Leave that bullshit to the wizards and shaman in HR.

 

I don’t know why Helen didn’t report this.  Bob’s organization is really progressive.  One of his top executives is openly gay and Bob is cool with that.  In fact they’re best friends.  I’m glad to see that crime syndicates respect the gay community.  Bob even uses his intellectual superpowers to try and understand how homosexuals think.  When his best friend is stabbed to death Bob hypothesizes that it has something to do with the friend’s looks fading with age and that Bob’s theory is that gays take that kind of stuff more personally leading to stab wounds. 

 

I’m not sure I follow his logic, but maybe being an aging gay man sometimes leads to stab wounds up and down your back.  I don’t watch that House show often enough to know about these sorts of compound medical conditions.

 

All and all this movie has lots of personality, shotguns, romance, and even a demolition derby.  If you liked the way Kill Bill made child custody battles interesting, then I think you’ll like the way The Long Good Friday depicts the difficulties of working with your spouse.