Double Team

 

After directing many of the definitive Jet Li films in Hong Kong, Hark Tsui devised a plan to go to Hollywood and get kicked back out as fast as possible.  But the twist is he would also stick them with a second movie before the reviews for the first one came in.  Fuck, this guy’s life is way better than that bullshit movie The Prestige.  He took on what had to be a sure fail project with guns blazing.

 

I guess some screenwriter heard about how Dennis Rodman managed to cheat on Carmen Electra during their honeymoon and figured he must have amazing sneaky powers because I don’t know about you guys, but any romantic trip I’ve ever taken with a woman we’ve never been out of each other’s sight any time other than closing the bathroom door, and that’s just for number 2.  So whoever wrote this figured Rodman belonged in a spy movie and I guess that’s a good choice of genre, but it still begs the question: why write a movie for Dennis Rodman?  I mean, if this movie wasn’t written for Rodman, then the screenwriters more than earned their salaries re-writing it for him so that his character is obsessed with punk self-styling and speaks in lines of dialogue are all references to his basketball career.  But I’m sure if Rodman had not taken the role they probably would’ve re-written the part for Tommy Lee to make all his dialogue references to drumming and enormous penises.

 

“The best offence is a good defence but I need to get off the bench.”

would change to:

“You only need one stick to make good beat, if it’s long enough.”

 

“I hate practice, but I never miss twice!”

would change to:

“I never fail anything, not even an AIDS test!”

 

It’s a good thing Rodman felt flattered enough by this screenplay to take the gig.

 

Jean-Claude Van Damme is a good choice for the lead role because you’re probably better off to be drunk while making something like this, but seeing as the role involves talking, I’m guessing they had Mel Gibson in mind.  Van Damme took this role on the sole conditions that he get to hump a bathtub onscreen and that they name the film after his girlfriend at the time, folk pop singer Jewel.

 

The plot involves Van Damme playing an agent of Megaforce.  We learn from the opening scene that he is on his last assignment before a retirement to a lavish seaside estate in the South of France.  Like all employers, Megaforce pays its employees enough that they can save up and retire to luxury even while they are still able-bodied and of use to the organization.  I’m glad most employers are nice like that, I can’t imagine a world where organizations would pay you just more than enough to get by but not enough that you could ever leave before they were done getting every bit of work possible out of you.

 

Megaforce is a lot cooler than British Intelligence.  Those buggers always give James Bond a hard time about his professional style.  But Megaforce actually demands that one man go out on his own and handle situations as recklessly and destructively as possible or else you get reverse Nikita’d, or you get pushed across The Point Of No Return in the opposite direction.  Because your death is faked and when you wake up, you are no long a top spy assassin.  Van Damme gets talked back out of retirement for one more mission only to discover that he has gotten a little soft in all his retirement years which he spends taking a shower with a bathing suit on and fighting his wife’s rooster sculptures in the South France.  He displays 98% balls on the job and that’s not enough so Megaforce sends him off to Pussy Island, a Zardoz style prison colony for espionage failures.

 

Van Damme cuts his thumb off, fucks his bathtub with intense vigour (Jewel must be stronger than I gave her credit for), and escapes.  He needs to find his old arms dealer buddy, Dennis Rodman and since he’s into kinky sex and punky styles he lives in that European city that starts with an ‘A’ and is famous for its red light district, that’s right….Antwerp in Belgium!  Actually, that must’ve been Van Damme’s other condition for doing this movie:

-Let me fuck a bathtub.

-Name the film after my girlfriend’s body.

-Film some part of it in my country so my cousin can pay for his wedding.

 

What a demanding motherfucker.  No wonder they never made Street Fighter 2: Turbo: The Movie 2: Turbo Alpha.

 

The rest of the film is prettymuch just an ever tightening clusterfuck of logic defying madness that I can’t even begin to describe.  It’s kind of like when you try to remember a dream or something but all you get is these crazy disconnected moments.  There was one wacky part where Van Damme makes it into this room and a crazy bald assassin guy is sitting there calmly with his back to the door and then springs up and starts throwing his shoes at Van Damme; a wacky courtyard sequence involving way too many moving parts for me to follow; there’s some childbirth; some more weird fighting; top secret hacker monks.  I don’t think watching the movie a again or even being able to take the Strange Days machine and enter the minds of the screenwriters would make the flow of these events any more clear to me.

 

It all leads up to climax (?).  The film doesn’t really establish that Van Damme’s character has a phobia of tigers, coliseums, crosses, and landmines but that must be the case because his nemesis has constructed this situation purely for Van Damme’s torment.  In case I didn’t mention this earlier, the bad guy is played by Mickey Rourke using Jason Statham levels of lube.  When you study martial arts they teach you that in any fight, anything you bring in can be used against you, so just bring your body.  Rourke brings his crosses, tigers, and landmines and they all end up getting used against him.  The lesson is to bring a chocolate bar to a fight.

 

I think this film successfully incorporates the silly culture of 1990s x-treme sports guys into an action movie and Double Team is more like what I was hoping of from Vin Diesel’s xXx, but then again, I would have liked it if Asia Argento had shown up in this movie.  So I guess we can all learn from each other. 

 

There’s really no way to interpret this film except as a practical joke.  And as such, I think it’s a really fucking funny one. 

 

Hark Tsui, you’ve made a monkey out of me!

 

 

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